Ellie Greenwich- Baby
| artist/album: | Ellie Greenwich/Night Owl, Vol. 2: It'll Never Be Over for You |
| track: | Baby |
| 71 Plays |
Reparata and the Delrons- I’m Nobody’s Baby Now
http://www.chachacharming.com/article.php?id=9
http://www.chachacharming.com/article.php?id=9
| artist/album: | Reparata & The Delrons/[v.a.] Phil's Spectre vol.2 - Another Wall Of Soundalikes [2005 Ace] |
| track: | |
| 112 Plays |
Ellie Greenwich- You Don’t Know
Penned by George “Shadow” Morton, Jeff Barry & Ellie.
Recorded on Red Bird in 1965.
I. love. her. voice. And that amazing echoing, ambient sound.
Recorded on Red Bird in 1965.
| artist/album: | Ellie Greenwich/The Best Of The Girl Groups Volume 2 |
| track: | You Don't Know |
| 20 Plays |
Will You Love Me Tomorrow? | The Shirelles
In 1960, The Shirelles released their version as Scepter single 1211, with “Boys” on the B-side. The single’s first pressing was labelled simply “Tomorrow”, then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was “too country.” She relented after a string arrangement was added. In 1961, the song went to number one on the Billboard Hot 100. However, Owens recalled on Jim Parsons’ syndicated oldies radio program, Shake Rattle Showtime, that some radio stations had banned the record because they had felt the lyrics were too sexually charged.
“Will You Love Me Tomorrow,” stayed at the top of the charts for three weeks. The song’s subject matter was considered racy by some in the music industry. Its chorus was a post-coitus interrogative, bringing to the surface a sensibility far more modern than many in the post-World War II era cared to acknowledge.
In 1960, The Shirelles released their version as Scepter single 1211, with “Boys” on the B-side. The single’s first pressing was labelled simply “Tomorrow”, then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was “too country.” She relented after a string arrangement was added. In 1961, the song went to number one on the Billboard Hot 100. However, Owens recalled on Jim Parsons’ syndicated oldies radio program, Shake Rattle Showtime, that some radio stations had banned the record because they had felt the lyrics were too sexually charged.
“Will You Love Me Tomorrow,” stayed at the top of the charts for three weeks. The song’s subject matter was considered racy by some in the music industry. Its chorus was a post-coitus interrogative, bringing to the surface a sensibility far more modern than many in the post-World War II era cared to acknowledge.
| artist/album: | The Shirelles/Their Very Best (Re-Recorded Versions) - EP |
| track: | Will You Love Me Tomorrow? |
| 755 Plays |
“What’s So Sweet About Sweet Sixteen” by The Ronettes
“What’s So Sweet About Sweet Sixteen” by The Ronettes
| artist/album: | The Ronettes/The Ronettes |
| track: | What's So Sweet About Sweet Sixteen |
| 0 Plays |
The Ronettes - Good Girls
The Ronettes - Good Girls
| artist/album: | the Ronettes/The Ronettes featuring Veronica |
| track: | Good Girls |
| 40 Plays |
